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The Breast Chronicles

Breasts in Comic Books

If you browse the comic book rack at a comic book store, supermarket, or elsewhere, you will notice that the issues’ covers and content often feature one common attraction—women with very large breasts. Mainstream titles such as X-Men, Gen 13, and Catwoman have all featured well-endowed women during their respective histories. Lesser-known, newer titles - such as Cavegirl and Purgatory - feature extremely well endowed women, some of who may warrant serious medical treatment. Comic book women may be grouped into the following categories:

The adventurer
This athletic, young lass often possesses average to low intelligence, an average to high sexual drive, and a C-cup to an E-cup bra (sometimes higher). Over that bra, she wears tight-fitting and/or revealing clothes and many survival-related accessories. She often prefers flight to fight, and keeps up her wits through a playful sense of humor. Similar-minded girlfriends often accompany her on her quests, which are often difficult and sometimes kinky. And in one way or another, her breasts often complicate the achievement of her goals. Also, she willingly allows certain men to gaze upon or touch her boobs. Representative titles include Gold Digger, Danger Girl, and - of course - Tomb Raider.

The warrior
This athletic, older lass often possesses average to above-average intelligence, an average to low sexual drive, and a D-cup breastplate (rarely higher or lower). Her battle armor/clothes reveal much skin and cleavage, and often come equipped with a variety of deadly weapons. She always prefers fight to flight, keeps up her wits through commanding and uttering battle cries, and lacks a sense of humor. Friends do not often fight alongside her in battle, since she is anti-social and much too masculine. She generally ignores her breasts, and sometimes beats the crap out of men who ogle or touch them. Representative titles include Barb Wire, WildCATS, and Shi.

The "bad girl"
This svelte bitch - find out for yourself - often possesses average to above average intelligence, a high to very high sexual drive, and a D-cup bustier or above. Her (usually) leather or lace outfits reveal a stunning amount of cleavage and skin, and they often lack accessories. She prefers seduction and sorcery to fight or flight, keeps up her wits through a wicked sense of humor, and boasts a large ego. She has no friends, but orders around or seduces minions and enemies. Her breasts function as symbols of power and control over everyone, male and female, and she uses them as tools of seduction. Representative titles include Lady Death, Vampirella, and the aforementioned Purgatory.

Obviously, sexual breasts define comic-book women. What does this trend tell us about real men and women? Evidently, real men and women desire women who possess a sense of humor and enjoy flaunting their breasts. Men seek sex while women seek friendship, but both parties believe that openly sexual women - and their boobs - are the only companions worth knowing. Of course, few women draw and write comic books. Therefore, men have historically created comic books as male wish-fulfillment fantasies. These fantasies often revolve around sex. However, you can find comic books that are written and/or drawn by women. These titles often feature women who possess B to C cup breasts, high to very high intelligence, like-minded friends, any level of sense of humor, and several modest outfits that reveal little to no cleavage. For a great introduction, go to friends-lulu.org. Good luck and good reading!

For synopses on any of the titles that feature well-endowed women, go to your favorite search engine and type in the names of the following companies: Antarctic Press, Chaos Comics, Crusade Comics, Dark Horse Comics, DC Comics, Harris Comics, Image Comics, and Marvel Comics. (I do not know who publishes Cavegirl, but I believe that she is a prehistoric adventurer who wears very little clothing and possesses a very high sexual drive. The rest is self-explanatory: sex, nudity, and more sex).

by Matt Wade